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Rachel Lee Hovnanian | PART II: HAPPY HOUR: New York

Past exhibition
20 April - 31 May 2018
  • Installation Views
  • press-release
  • Works
    • Is She or Isn't She?, 2018 Gouache and oil pastel on paper 7.5 x 7.5 in

      Is She or Isn't She?, 2018
      Gouache and oil pastel on paper
      7.5 x 7.5 in
       

    • Slutty I, 2018 Gouache and oil pastel on paper 7.5 x 7.5 in

      Slutty I, 2018
      Gouache and oil pastel on paper
      7.5 x 7.5 in
       

    • Just One More, 2018 Gouache and oil pastel on paper 7.5 x 7.5 in

      Just One More, 2018
      Gouache and oil pastel on paper
      7.5 x 7.5 in
       

    • Vanity Stool, 2018 Gouache and oil pastel on paper 7.5 x 7.5 in

      Vanity Stool, 2018
      Gouache and oil pastel on paper
      7.5 x 7.5 in
       

    • Hand Job, 2018 Gouache and oil pastel on paper 7.5 x 7.5 in

      Hand Job, 2018
      Gouache and oil pastel on paper
      7.5 x 7.5 in
       

    • Drinks on the House, 2018 Gouache and oil pastel on paper 7.5 x 7.5 in

      Drinks on the House, 2018
      Gouache and oil pastel on paper
      7.5 x 7.5 in
       

    • House of Empty Bottles, 2018 Installation of metal, wood, chalkboard, barbed wire, glass bottles with labels illustrated in watercolor, pastel, and ink 99 x 96 x 123.5 in

      House of Empty Bottles, 2018
      Installation of metal, wood, chalkboard, barbed wire, glass bottles with labels illustrated in watercolor, pastel, and ink
      99 x 96 x 123.5 in
       

    • Tall, Dark, and Handsome, 2018 Mixed media on canvas 84 x 61 in

      Tall, Dark, and Handsome, 2018
      Mixed media on canvas
      84 x 61 in
       

    • Dark and Stormy, 2018 Mixed media on canvas 60 x 70 in

      Dark and Stormy, 2018
      Mixed media on canvas
      60 x 70 in
       

    • Blue Gin Fizz, 2018 Mixed media on canvas 59 inches diameter

      Blue Gin Fizz, 2018
      Mixed media on canvas
      59 inches diameter
       

    • Blue Valium, 2018 Mixed media on canvas 108 x 96 in

      Blue Valium, 2018
      Mixed media on canvas
      108 x 96 in
       

    • Death in the Afternoon, 2018 Mixed media on canvas 108 x 96 in

      Death in the Afternoon, 2018
      Mixed media on canvas
      108 x 96 in
       

    • Pink Panty Dropper, 2018 Mixed media on canvas 60 x 90 in

      Pink Panty Dropper, 2018
      Mixed media on canvas
      60 x 90 in
       

    • Pink Lady, 2018 Mixed media on canvas 97 x 132 in

      Pink Lady, 2018
      Mixed media on canvas
      97 x 132 in
       

    • Blue Monster, 2018 Mixed media on canvas 60 x 70 in

      Blue Monster, 2018
      Mixed media on canvas
      60 x 70 in
       

  • Overview
    Is She or Isn't She?, 2018 Gouache and oil pastel on paper 7.5 x 7.5 in

    Is She or Isn't She?, 2018
    Gouache and oil pastel on paper
    7.5 x 7.5 in
     

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  • News
    • This Woman's Work

      This Woman's Work

      June 6, 2018 Read more
    • Rachel Lee Hovnanian : The Women's Trilogy Project

      Rachel Lee Hovnanian : The Women's Trilogy Project

      May 9, 2018 Read more
    • RACHEL LEE HOVNANIAN’S WOMAN’S TRILOGY PROJECT ARRIVES AT LEILA HELLER

      RACHEL LEE HOVNANIAN’S WOMAN’S TRILOGY PROJECT ARRIVES AT LEILA HELLER

      April 20, 2018 Read more
    • Rachel Lee Hovnanian Unveils Second Exhibit of the Women’s Trilogy Project

      Rachel Lee Hovnanian Unveils Second Exhibit of the Women’s Trilogy Project

      April 20, 2018 Read more
    • Happy Hour for Humanity

      Happy Hour for Humanity

      April 19, 2018 Read more
    • In “The Women’s Trilogy Project,” Reckoning With Addiction (and Appearances) Through Art

      In “The Women’s Trilogy Project,” Reckoning With Addiction (and Appearances) Through Art

      April 18, 2018 Read more
    • ARTIST RACHEL LEE HOVNANIAN OF THE WOMEN’S TRILOGY PROJECT ON PART II: ‘HAPPY HOUR’

      ARTIST RACHEL LEE HOVNANIAN OF THE WOMEN’S TRILOGY PROJECT ON PART II: ‘HAPPY HOUR’

      April 11, 2018 Read more
  • press-release

    NEW YORK, NY - Leila Heller Gallery is pleased to present contemporary artist Rachel Lee Hovnanian's exhibition, PART II of The Women’s Trilogy Project, at Leila Heller Gallery in Manhattan. This is the first time an artist will have three sequential exhibitions in a gallery in New York over the course of six months. This marks Hovnanian's third solo show with the gallery.

     

    PART II titled HAPPY HOUR is a multi-media exhibition that explores domestic culture and gender roles in relationship to alcoholism through a series of paintings, works on paper and multi-media installations using the narrative style of Dick and Jane, and iconography borrowed from Girl Scout and debutante traditions.

     

    HAPPY HOUR was created by Rachel Lee Hovnanian over the course of three years between New York and Los Angeles and is the most personal work to be shown in this series. This exhibition is a deep reflection of her adolescence growing up in the south which challenges the restrictions of her upbringing. Hovnanian uses her works in this series to show the complicated complicit relationship surrounding alcoholism and the domestic order.

     

    PART III, PURE, will open at Leila Heller Gallery on Friday June 8, 2018.

     

    About Rachel Lee Hovnanian

    Born in West Virginia and raised in Houston, Texas, Rachel Lee Hovnanian is a New York-based artist whose multidisciplinary practice explores contemporary notions of narcissism, obsession and intimacy, and society’s alienating addiction to media & technological innovations. Hovnanian received her BFA from the University of Texas, Austin, and has since exhibited in both solo and group exhibitions in the United States, Asia, Europe and the Middle East. Her work is in the collection of both private individuals, corporations and museums.

    www.rachelleehovnanian.com | @rachelleehovnanian

     

    About The Women’s Trilogy Project

    The Women’s Trilogy Project includes three thematically related installments that expand on the familiar themes explored in the artist's previous body of work, which include addiction, gender roles and our relationship with technology. Hovnanian draws on her Southern upbringing to question our current cultural values, challenging the viewer to question gender barriers and struggles women still face. Working at the intersection of photography, video, sculpture, painting, and installation, Hovnanian’s multidisciplinary practice critically engages how digital technology transformed human relationships and our perceptions of reality.

     

    About Leila Heller Gallery

    Since its establishment over three decades ago, Leila Heller Gallery has gained worldwide recognition as a pioneer in promoting creative dialogue and exchange between Western artists and Middle Eastern, Central and Southeast Asian artists. In 2010, the gallery moved from the Upper East Side to its flagship space in Chelsea where it has garnered a reputation for identifying and cultivating the careers of artists leaving a lasting impact on contemporary art and culture.

    www.leilahellergallery.com | @leilahellergallery 

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