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Wassef Boutros-Ghali: A Retrospective (1965-2016) & Book Launch

Past exhibition
3 October - 5 November 2025 Dubai
  • Installation Views
  • press-release
  • Works
    • Untitled, 2015 Acrylic on Canvas 46 x 38 in

      Untitled, 2015

      Acrylic on Canvas

      46 x 38 in

    • Untitled, 2005 Acrylic on Canvas 59 x 19.75 in

      Untitled, 2005

      Acrylic on Canvas

      59 x 19.75 in

    • Untitled, 2016 Acrylic on Canvas 27.5 x 27.5 in

      Untitled, 2016

      Acrylic on Canvas

      27.5 x 27.5 in

    • Untitled, 2007 Acrylic on Canvas 46 x 46 in

      Untitled, 2007

      Acrylic on Canvas

      46 x 46 in

    • Untitled, 2003 Acrylic on Canvas 27 x 27 in

      Untitled, 2003

      Acrylic on Canvas

      27 x 27 in

    • Untitled, 2010 Acrylic on Canvas 71 x 23.5 in

      Untitled, 2010

      Acrylic on Canvas

      71 x 23.5 in

    • Untitled, 2010 Acrylic on Canvas 71 x 23.5 in

      Untitled, 2010

      Acrylic on Canvas

      71 x 23.5 in

    • The Fish, 1974 Acrylic on Canvas 49.5 x 68.75 in

      The Fish, 1974

      Acrylic on Canvas

      49.5 x 68.75 in

    • The Blue Door, 2000 Acrylic on Canvas 46 x 38 in

      The Blue Door, 2000

      Acrylic on Canvas

      46 x 38 in

    • Study for Horizon VI, 2000 Acrylic on Canvas 20 x 20 in

      Study for Horizon VI, 2000

      Acrylic on Canvas

      20 x 20 in

    • Horizon XIV, 2003 Acrylic on Canvas 23.25 x 23.25 in

      Horizon XIV, 2003

      Acrylic on Canvas

      23.25 x 23.25 in

    • Horizon XIII, 2002 Acrylic on Canvas 27.75 x 27.75 in

      Horizon XIII, 2002

      Acrylic on Canvas

      27.75 x 27.75 in

    • Horizon VII, 2000 Acrylic on Canvas 46 x 38 in

      Horizon VII, 2000

      Acrylic on Canvas

      46 x 38 in

    • Horizon VI, 2000 Acrylic on Canvas 38 x 46 in

      Horizon VI, 2000

      Acrylic on Canvas

      38 x 46 in

    • Untitled, 1992 Water color on paper 39.5 x 27.5 in

      Untitled, 1992

      Water color on paper

      39.5 x 27.5 in

    • Untitled, 1965 Ink on paper 18 x 14 in

      Untitled, 1965

      Ink on paper

      18 x 14 in

    • Untitled, 1977 Water color on paper 14.3 x 14.1 in

      Untitled, 1977

      Water color on paper

      14.3 x 14.1 in

    • Untitled, 1970s Felt pen on paper 17 x 14 in

      Untitled, 1970s

      Felt pen on paper

      17 x 14 in

    • Untitled, 1970 Water color on paper 18 x 20 in

      Untitled, 1970

      Water color on paper

      18 x 20 in

    • Untitled, 1967 China Ink on paper 25.5 x 19.5 in

      Untitled, 1967

      China Ink on paper

      25.5 x 19.5 in

    • Untitled, 2018 Pen, china ink and felt on paper 19.7 x 27.6 in

       

      Untitled, 2018

      Pen, china ink and felt on paper

      19.7 x 27.6 in

    • Untitled, 2018 Pen, china ink and felt on paper 19.7 x 27.6 in

      Untitled, 2018

      Pen, china ink and felt on paper

      19.7 x 27.6 in

    • Untitled, 1965 China Ink on paper 13.8 x 17.8 in

      Untitled, 1965

      China Ink on paper

      13.8 x 17.8 in

    • Untitled, 1987 China Ink on paper 19.5 x 14

      Untitled, 1987

      China Ink on paper

      19.5 x 14

    • Underwater, 1993 Pen, ink & water colour on paper 27.5 x 39.25 in

      Underwater, 1993
      Pen, ink & water colour on paper

      27.5 x 39.25 in

    • Untitled, 1987 China Ink on paper 19.5 x 14 in

      Untitled, 1987

      China Ink on paper

      19.5 x 14 in

    • The Last Supper (La Cene), 1987 Pen, ink & water colour on paper 24 x 32 in

      The Last Supper (La Cene), 1987

      Pen, ink & water colour on paper

      24 x 32 in

    • The Fish, 2018 Pen, china ink and felt on paper 19.7 x 27.6 in

      The Fish, 2018

      Pen, china ink and felt on paper

      19.7 x 27.6 in

    • The Guard, 1968 Brush & Indian Ink on Paper 28 x 20 in

      The Guard, 1968

      Brush & Indian Ink on Paper

      28 x 20 in

    • The Beast, 1993 Pen, ink & water colour on paper 24 x 32 in

      The Beast, 1993

      Pen, ink & water colour on paper

      24 x 32 in

    • Encounter, 1987 China Ink on paper 17 x 24.8 in

      Encounter, 1987

      China Ink on paper

      17 x 24.8 in

    • Regard (Look), 1991 Pen, ink & water colour on paper 27.5 x 39.25 in

      Regard (Look), 1991

      Pen, ink & water colour on paper

      27.5 x 39.25 in

    • Egyptian Wedding, 1972 Felt pen on paper 22.5 x 28.5 in

      Egyptian Wedding, 1972

      Felt pen on paper

      22.5 x 28.5 in

    • Autumn I, 1987 Pen, ink & water colour on paper 31.5 x 24 in

      Autumn I, 1987

      Pen, ink & water colour on paper

      31.5 x 24 in

  • Overview
    Untitled, 2015 Acrylic on Canvas 46 x 38 in

    Untitled, 2015

    Acrylic on Canvas

    46 x 38 in

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  • Publications
    • Wassef Boutros-Ghali: A Retrospective (1965-2016)

      Wassef Boutros-Ghali: A Retrospective (1965-2016)

      2025 Read more
  • News
    • A Newfound Abstraction: Wassef Boutros-Ghali

      A Newfound Abstraction: Wassef Boutros-Ghali

      March 9, 2026 Read more
  • press-release

    Born in Cairo to a family of statesmen and politicians, Wassef Boutros-Ghali was drawn to the arts at an early age. As a teenager he demonstrated great natural skill as a draftsman. He joined the studio of Jaro Hilbert, a classically trained painter and inspirational teacher. Boutros-Ghali set aside the political legacy of his family and devote himself to a career in architecture, and then turned to painting. Boutros-Ghali served as a technical consultant for the environment and urbanism with the United Nations and executed buildings in Egypt, Ethiopia, Saudi Arabia, Kuwait and the Sudan, in addition to growing his commitment to his artwork. Initially working in oil on canvas, Wassef Boutros-Ghali’s practice was reshaped by political upheaval and his 1963 relocation, which led him to create a series of china-ink drawings. Their constraints offered refuge and introduced a free-flowing quality that would inform his later work and sustain his lifelong passion for drawing. 

    A 1971 move to New York marked an awakening. Immersed in the city’s vitality, abstract expressionism and minimalist design, his canvases grew larger, acrylics replaced oils, and figurative improvisations gave way to overt abstraction. In the spirit of Rothko and Reinhardt, surfaces drenched in singular color allowed his geometric forms to come alive. A return to Cairo in 1985 finally allowed Boutros-Ghali the freedom to pursue his practice without interruption. Increasingly the artist sought to harness vibrant color to articulate motion/energy within the box of the canvas. His later compositions reflect a meticulous yet openhearted response to the human condition; marvels of reason buoyed by a lifetime’s worth of lyricism. Wassef Boutros-Ghali passed away on March 15, 2023 at 98 years old in Cairo. He painted every day until his death. 

    Dubai, UAE – Leila Heller Gallery is delighted to announce the upcoming solo exhibition, a curated selection of paintings and works on paper by Wassef Boutros Ghali, titled 'A Retrospective (1965 - 2016)’ opening on 3rd October, 2025. 

    Spanning several decades, these works reveal Boutros-Ghali’s distinctive balance between architectural order and painterly intuition. In both the large-scale canvases and intimate paper compositions, intersecting planes, subtle tonal shifts, and spatial rhythms evoke a meditative language that transcends geography, rooted in modernist ideals. In both mediums, Boutros-Ghali’s compositions are dynamic; they seem to breathe, their tensions and harmonies suggesting the shifting light, landscapes, and cultural forms that informed his vision. His work resonates with a timeless universality, yet carries the imprint of a life lived between continents. 

    Architectural forms emerge, collide and reengineer themselves without a narrative in dazzling abstract compositions. With subjects based on mythology, on nuanced observations of daily life or stories conjured with the simplicity of dreams, Boutros-Ghali’s artwork speaks to the pure and unrestricted physicality of painting. Boutros-Ghali challenges the traditional and leading convention of figuration with his commitment to abstraction as a modernist method of self-expression. Each piece demonstrates his mastery in balancing architectural rigor with the sensibility of a painter, transforming pure geometry into a language of contemplation and a constant state of visual flux. 

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