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Darvish Fakhr: Traveling Light

Past exhibition
13 November 2022 - 13 January 2023
  • Press Release
  • Works
    • Darvish Fakhr Desert scape 9 2021 Charcoal on paper with spray paint 100 x 140 cm

      Darvish Fakhr

      Desert scape 9
      2021
      Charcoal on paper with spray paint
      100 x 140 cm

    • Longing For Home 2022 Oil on Linen 36 x 26 cm

      Longing For Home

      2022
      Oil on Linen 36 x 26 cm

    • Darvish Fakhr Royals Go 2022 50.5 x 50.5 cm

      Darvish Fakhr

      Royals Go

      2022
      50.5 x 50.5 cm

       

          

    • Darvish Fakhr Femme Vie Liberte 2022 Oil on Linen 132 x 116.5 cm

      Darvish Fakhr

      Femme Vie Liberte

      2022
      Oil on Linen 132 x 116.5 cm

    • Darvish Fakhr Only Pieces 2022 Oil on Linen 198 x 198 cm

      Darvish Fakhr

      Only Pieces

      2022
      Oil on Linen 198 x 198 cm

    • Darvish Fakhr Stay Up 2022 Oil on Linen 198 x 281 cm

      Darvish Fakhr

      Stay Up

      2022
      Oil on Linen 198 x 281 cm

    • Darvish Fakhr Sarah 2022 Oil on Linen 304 x 203 cm

      Darvish Fakhr

      Sarah

      2022
      Oil on Linen 304 x 203 cm

    • Darvish Fakhr Too Cool to be Kind 2022 80 x 60 cm Oil on Board

      Darvish Fakhr

      Too Cool to be Kind

      2022
      80 x 60 cm Oil on Board

  • Overview
    Longing For Home 2022 Oil on Linen 36 x 26 cm

    Longing For Home

    2022
    Oil on Linen 36 x 26 cm

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  • Press Release

    Dubai, UAE – Leila Heller Gallery is pleased to announce artist Darvish Fakhr’s solo show ‘TRAVELING LIGHT’ opening on 13thNovember 2022.

    “Finding a means to live together without violence or antagonism will take a form of imagination and invention" Edward Said said in 1978.

    Being half Iranian and growing up in America during the revolution, Fakhr faced abuse and shame he didn't understand as a child. Through his paintings, Fakhr processes these complicated emotions. In this collection, he illustrates the beauty of the multi-layered cultures he was constantly exposed to, by painting over his old work and layering them. Growing up in Boston he was taught a very traditional Western technique of oil painting. By superimposing Eastern philosophies through English and Farsi texts, he aims to celebrate the juxtaposition as a creative solution to an ongoing worldly conflict. In what he calls “gentle civic disruptions,” Darvish channels his influences and inspirations from Sufism to challenge our preconceived notions of culture and tolerance in performance work that strikes viewers with its surrealism, humor, and optimism. Though he is not a practicing Sufi, his work is meant to pay homage to the purity of Sufi mysticism, to the point where he describes himself as a "Sufi Skool Dropout". The guerrilla nature of such work is meant to disrupt the daily movement of our lives.

    His art and lifestyle, he says is rooted in concepts of newness. “I look for various ways of straddling extremes as a test case for tolerance and creativity, by celebrating our inherent contradictions. One moment I am carefully rendering the turn of a cheek bone in space, the next I am vandalizing it. One moment I am paying homage to purity of Sufi mysticism from the East, the next I am coveting cash from the West. One moment my body is a temple, the next I am riding dirt bikes over the pews. Dance and Painting is how I am best able to split the moment and climb through to something outside of myself.” Says Darvish of his art and life.

    ABOUT THE ARTIST

    Darvish Fakhr is a half-Iranian, half-American artist whose work ranges from painting to movement art. In his practice, he amalgamates disparate cultures by overlaying various concepts and aesthetics through interference, which can take the form of movement, paint, or text. Throughout all his work, he fuses Western techniques with Eastern philosophies, such as incorporating Persian poetry into oil paintings or converting a skateboard into a flying carpet.  He calls his movement art “gentle civic disruptions,” inspired by the practice and image of the whirling dervish. In these works, much like the interference found in his paintings, he cross-pollinates aspects of his Iranian heritage with his Western upbringing. He challenges preconceptions by mocking stereotypes through humor and invention and uses lightness and concepts of flying as metaphors for accessing ideas of freedom. 

    He has exhibited and performed internationally, included at The Armory Show in New York, and is in the permanent collection of the National Portrait Gallery in London. He currently lives and works in Brighton, UK. 

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